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I'm back from my trip across the USA
photographing distilleries. The still
pictured above has has four plates
in the primary and 50 plates in the
secondary column. The still produces 96.4%
alcohol in one pass.
Andy Koenig will be sales rep for Adolf
Adrian Gmbh in Germany He can be reached
at
kdistillery@aol.com =====================
The Third Annual Great American Distiller's
Festival
On August 25th and 26th, in Portland, Oregon,
The Third Annual Great American Distiller's
Festival took Place. Over six hundred people
attended over the two-day event at the
Portland Center Stage for The Arts, in The
Amory Building. The event has grown every
year over the last three years, expanding
from predominantly an Oregon distiller's
event to a truly American event. Here is
hoping it continues to grow until it becomes
the GIDF: The Great International Distillers
Festival. Represented were over 30
different spirits from 20 different
distilleries, the majority of which are what
are considered "craft distilleries." That
is, they are spirits being hand made in small
batches buy one or more individuals. The
crowd, similar to big brew festival crowds,
was: informed, uniformed, curious,
experienced, inexperienced, but most
importantly, enthusiastic and entertained.
People attending were treated to live music,
demonstrations revolving around spirits such
as seminars and presentations including the
history of spirits and their use,
cocktailing, and the distillation process. On
hand were several of the distillers
themselves to talk about their spirits, and
there was a lively and highly informative
cocktailing competition.
The Amory Building beautifully restored by
Portland Center Stage for The Arts in 2006
served as the armory for the city of Portland
from 1921-1941. The building now hosts two
theaters and a grand staircase with a
spacious lobby. The distilleries represented
were spread out over the top two floors, with
the presentations and seminars held in the
lowest level, as was the cocktail bar
featuring drinks made from every spirit
represented at the event. For the price of
admission, patrons were given three drink
scripts, and a recipe book featuring
cocktails made from spirits participating in
the festival, paired with a dish from a
Portland area restaurant.
The goal of the festival was to educate
people on spirits and it succeeded in this
regard on every level. There were
presentations on every thing from how to
choose the best spirit to prepare a cocktail,
how to distill, and what is the difference
from Scotch whisky from Whiskey. The most
interesting and tantalizing bit of the
weekend, apart from the chance to taste the
spirits and meet some of the distillers, was
the cocktailing competition. It featured
bartenders from the Portland area competing
in a contest to see who could create the best
signature cocktail using craft distilled
spirits. The crowd draw to the bartending
competition reflected the public's interest
in how to perfect the perfect cocktail.
People from all walks of life seemed to find
the event informative, fun, and well worth
attending. Molly Little, a young woman
attending with a large group of friends,
said," This is Awesome! I have really
enjoyed the new spirits I have had the chance
to taste, and defiantly plan on attending
again next year."
Rory Donovan, co founder of Peach Street
Distillery in Durango, Colorado said," The
OLCC stole my fuego, but it has been awesome
to be able to expose people in Oregon to our
product, because we are not yet in this
market."
Commenting on the fact that the festival
brought in spirits from across the country
that currently are not yet sold in Oregon,
Jack Joyce from Rogue Brewery and Distillery
said," ."
Lee Medoff, head distiller @ Oregon's House
Spirits and President of the Oregon
Distiller's Guild said," ."
The Third annual Great American Distiller's
Festival was the biggest and best yet. With
the growth in both spirits sales on the
retail and wholesale level, and the
populations growing desire to learn about and
understand distilling and spirits, the
event's future as well as the industries,
looks strong. The patron's response to this
year's event was over whelming positive and
enthusiastic. If the event continues to grow
as it has in the past three years, it could
soon be an event on the par of the GABF: the
very event it is being modeled
on. =================
Minnesota 13
During prohibition, moonshine and bootleg
liquor extended far beyond what John Prine
referred to as "the old Chevro-let set" of
Paris Tennessee, and all the stereotypical
visions of tobacco juice, overalls, and rusty
shotguns are at best half right. Certainly of
all the audiences in the world, Bill, you and
your readers won't be surprised by that.
Just as certainly, you know that
everywhere there was or is moonshine, it is
thought by those with any investment in the
local dirt to be the best there is. I was
just this last weekend speaking with a man
from North Carolina, who told me a story
about how his old buddies can tell Georgia
rotgut by just a whiff of the jar.
But I think I can get a raise of the
eyebrow out of you if I tell you that Elaine
Davis, in her book Minnesota 13, makes a good
case for the fact that the best bootleg
liquor to ever trickle out the money piece of
a pot still came from Stearns County,
Minnesota.
She tells a little apocryphon about a
successful moonshiner from Minnesota who
walked into a village bar in Scotland
advertising "any drink in the world." He
"tossed down a $20 gold piece, looked the
bartender in the eyes and challenged him,
'Give me three fingers of Minnesota 13 and
you can keep the change.' The bartender took
the gold piece, plunked a glass on the bar
and said "What will it be--Albany, Melrose,
Avon or Holingford?"
More credible is her citation--just a few
lines earlier--of a piece from the March 8,
1929 Colliers magazine, which reported that
Stearns county hooch competed successfully
from San Francisco to New York.
The tale Davis unfolds is remarkable.
The ethnic makeup of Stearns County, it
seems, proved "very resistant to temperance
efforts." Davis writes that "Local German
immigrants couldn't fathom the rational
behind Prohibition, and in the Twin Cities,
especially in St. Paul, the Irish were of the
same mind."
Further, she writes convincingly that the
Catholic Churches of the area distinguished
between that which was illegal and that which
was immoral, and that most did not consider
alcohol production a crime. In fact, it was
your duty to preserve and maintain your
family . Preachers would sermonize that the
laws were merely penal, "the did not bind the
conscience but if you were caught breaking
them you were bound to pay the fine."
Catholic farmers from countries famous
for their tippling found themselves in a
bind: "Farm profits nationwide declined by
$200 million from 1921 to 1929. By 1931,
Minnesota had 1563 foreclosed farms . . . One
simply cannot understate the combined impact
of the Farm Depression and Prohibitions money
making opportunities on the rural areas of
the U. S."
They turned to moonshine,and the bulk of
the book is an anecdotal recounting of the
times. We see boilers for sale in the local
papers, we hear tales of moonshine passed
through the bars of the prison window.
Bootleg is hidden away, and smuggled, and
sold, and drank. Mobsters enter the scene,
and the feds crack up the stills. We've all
heard moonshine stories before, but where
Davis excels is in the details. Where a
lesser writer with flimsier research would
begin with "One old timer . . . ." she
attaches vivid details. She names the names,
gives the locations, and we hear a lot of
stories straight from the subject.
If the book sometimes sags under its own
weight, it is because it seems to be a
product of enthusiasm. Davis is clearly
thrilled to report what she's learned, and in
getting it to us she seems, occasionally, to
rush.
It's a forgivable offense, especially
when she's tossing us such gems as the fact
that she had the National Archives in Kansas
City compile a list of the "Minnesotans who
served time for Prohibition violations from
1920-1933 at Leavenworth. The list has 479
names on it."
To get Ms. Davis's book, you've got to go
to the website: www.minnesota13.us. My
copy cost $15.95, and was signed by the
author.
Your correspondent afield,
Max Watman
max.watman@gmail.com ===================
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Non-Distiller Producers. |
 |
Non-Distiller Producers; Make The Brands, But
Buy The Whiskey.
By Charles K. Cowdery
There are two kinds of American whiskey
producers, those that distill and those that
don't. If a company sells whiskey but doesn't
distill it, they have to buy it from someone
who does, so all American whiskey comes from
one of the distiller producers originally.
The producers who distill some or all of the
whiskey they sell are Barton, Beam Global,
Brown-Forman, Buffalo Trace, Diageo, Four
Roses, Heaven Hill, and Wild Turkey. Maker's
Mark isn't mentioned because it is now part
of Beam Global. Diageo is mentioned because
although it buys some of the American whiskey
it sells, it also makes a lot at its George
Dickel Distillery.
Non-distiller producers are either rectifiers
or marketing companies. Rectifiers, although
they don't distill, occasionally age at least
some of the whiskey they sell, do certain
processing, and usually bottle the product.
Marketing companies strictly market. All of
their production is done by contractors.
There is nothing wrong with non-distiller
producers. They are an important part of the
marketplace. Non-distiller producers were
responsible for creating the market in very
old bourbons which sparked much of the recent
enthusiasm for American whiskey in general.
They also serve as a safety valve for
distiller producers by taking their excess
inventory. They create and price the market
for bulk bourbon and other whiskey.
But for American whiskey enthusiasts they can
be frustrating, because they usually won't
reveal who distilled the whiskeys they sell,
let alone provide details such as mash bill
and distillation proof.
Plus, some of them make things up, like
non-existent distilleries, master distillers,
and historic pedigrees. In this they aren't
alone. Distiller producers make things up
too, but at least when they talk about
'their' distillery it really is theirs.
The main non-distiller producers who market
American whiskey products are:
Castle Brands
Through its McLain & Kyne, Ltd. division,
this New York marketing company sells bourbon
under the Jefferson's, Jefferson's Reserve
and Sam Houston brands. It does not disclose
the source of its bourbon.
Chatham Imports
Chatham is a marketing company, based in New
York City. It has rights to the Michter's
name, but its whiskey is made in Kentucky
(the exact source is not disclosed), not at
the long-silent Michter's plant in
Pennsylvania. They offer several straight
bourbon and straight rye expressions under
the Michter's name.
Conecuh Ridge Distillery
This Alabama company is based on the
heritage of Clyde May. According to the
company's founder, May's son Kenny, Clyde was
a legendary unlicensed distiller-a
moonshiner-whose "life's passion was making
the very best whiskey." The company's Conecuh
Ridge Alabama Style Whiskey is distilled for
it at an undisclosed distillery in
Kentucky.
CVI Brands
CVI is a California company that markets the
Black Maple Hill line of straight bourbons
and straight ryes. It does not disclose the
source of its whiskey.
Frank-Lin Distillers Products, Ltd.
A bottler and rectifier based in California,
Frank-Lin sells bourbon under the Joshua
Brook, Potter's and Bourbon Club brand names.
The source of its whiskey is not
disclosed.
INFINIUM Spirits
This California marketing company is behind
Corner Creek Reserve Bourbon and Templeton
Rye. Although Templeton has a small
distillery in Iowa, the rye whiskey it is
selling by that name was not distilled there.
The company does not disclose the source of
its whiskey for either brand.
Kentucky Bourbon Distillers, Ltd. (KBD)
Operating out of the old Willett Distillery
in Bardstown, right across the road from
Heaven Hill, KBD has been promising for about
20 years to resume distilling, and has taken
some steps in that direction. In the
meantime, it acquires whiskey where it can,
often from its nearest neighbor.
The site has warehouses and some aging is
done there, but mostly it is a bottling
plant. KBD produces many of the brands sold
by the marketing companies on this list, in
that it obtains bulk whiskey and bottles it
on the customer's behalf. Its own brands
include Noah's Mill, Rowan's Creek, Pure
Kentucky, Kentucky Vintage, Johnny Drum, and
Old Bardstown.
Kentucky Bourbon Distillers, Ltd. is owned by
the Kulsveen family, which is related to the
Willetts by marriage.
Luxco
Based in St. Louis, Missouri, Luxco gets its
bourbon from Heaven Hill and markets it under
several venerable brand names such as Ezra
Brooks, Rebel Yell and Yellowstone. They also
make blended whiskey (combining straight
whiskey with neutral spirits), which they
sell under a variety of regional brand names.
They are a bottler and rectifier.
McCormick Distilling Co.
This distillery in Weston, Missouri (near
Kansas City), has a fascinating history but
it has not distilled whiskey for many years.
It is a bottler and rectifier. The source of
the American whiskey it sells is not
disclosed.
Old Pogue Distillery
The Pogue family operated distilleries in
Maysville, Kentucky, from about 1869 until
Prohibition. A few years ago, a new
generation of Pogues decided to re-launch the
Pogue brand using whiskey sourced from Heaven
Hill through KBD.
Old Rip Van Winkle
From 1933 until 1972, the Van Winkle family
owned the company that made and marketed the
Old Fitzgerald and W. L. Weller bourbon
brands, and others. When it sold that
company, it retained rights to the family
name. It would produce Old Rip Van Winkle
bourbon using whiskey purchased from the
family's former distillery. An old, silent
distillery was acquired for its aging and
bottling facilities.
In addition to Old Rip Van Winkle, the
subsequent Pappy Van Winkle Family Reserve,
and other Van Winkle iterations, the new
company also obtained whiskey and did
packaging for other non-distiller producers.
The family's former distillery stopped
producing in 1992. A decade later, as
supplies of the whiskey produced there began
to dwindle, the company joined forces with
Buffalo Trace.
Today, the Van Winkle straight bourbons and
straight rye are produced at Buffalo Trace
but still selected and marketed by the Van
Winkle family.
Phillips Distilling Company
This Minneapolis bottler and rectifier makes
Phillips Union, a blend of bourbon and
Canadian whiskey, as well as a conventional
American blended whiskey and bourbon under
the Phillips name. The source of its whiskey
is not disclosed.
Prichard's Distillery
This small Tennessee distillery makes its own
rum from scratch but the bourbon it sells is
distilled in Kentucky (exact source not
disclosed). Prichard re-barrels it for some
additional aging and sells it as Benjamin
Prichard's Double Barreled Bourbon.
Priess Imports
Priess, based in California, markets what
remains of the legendary A. H. Hirsch
Bourbon, which is whiskey made at the defunct
Michter's Distillery in Pennsylvania. It also
markets a straight rye under the Hirsch
name.
Spirits Imports, Inc.
This Florida company markets various
extra-aged bourbons under the Classic Cask
brand name. The source of its whiskey is not
disclosed.
Strong Spirits, Inc.
This New York marketing company run by
Michael Kanbar, nephew of Skyy Vodka founder
Maurice Kanbar, sells a bourbon called 80
Strong. The source of its whiskey is not
disclosed.
Twelve Stone Flagons
A marketing company based in Pittsburgh,
Pennsylvania, Twelve Store Flagons is known
primarily for scotch but it produces a
six-year-old bourbon called American Biker.
The source of the whiskey is not disclosed.
Reprinted with permission from The Bourbon
Country Reader, Volume 10 Number 5 (September
2007). The Bourbon Country Reader is the only
publication dedicated exclusively to American
whiskey. For subscription information go
to
http://bourbonstraight.com =====================

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Kentucky's new "Bourbon Age" |
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Kentucky's new 'Bourbon Age'
A SPIRIT'S RENAISSANCE: AFTER DECADES OF
DECLINE, BOURBON IS NOW APPRECIATED IN MORE
WAYS THAN EVER.
Source: Lexington Herald Leader
By Steve Lannen
It is a staple of any respectable bourbon
tour: a visit to the rackhouse where the
charred barrels sit for years aging the
bourbon they hold inside. From the creaky
wooden floors to the sweet stillness in the
air, it's easy to feel transported back to a
different age.
At the Maker's Mark distillery there is, of
course, such a rackhouse painted black and
nestled near a green lawn, but its storage
space has been severely curtailed. In its
place is a thoroughly modern room more like
the lobby of a swank Manhattan hotel than
rural Marion County. Dance music pulses from
hidden speakers and a slick glass mural backs
a tasting bar in a sunken lounge area.
The incongruity is not lost on visitors, who
have spent nearly an hour learning about
bourbon production on the bucolic campus.
Outside, it's the story of how bourbon is
made. Inside the new lounge, "it's about how
people enjoy bourbon now," said Bill Samuels
Jr., president of Maker's Mark.
The setting is also a metaphor for the
industry as a whole, which is transforming
itself from a somewhat staid, sleepy business
to a growing spirit category embracing a new
generation of consumers and tourists.
From the brown signs popping up on Kentucky
highways to the premium bourbons being poured
in high-end bars and restaurants to the
thousands of tourists who are spending time
and cash at new distillery visitors centers
in Central Kentucky, there is a buzz these
days in the bourbon trade.
That interest and excitement will be on
display this week in Bardstown, the epicenter
of bourbon production and host to the
Kentucky Bourbon Festival, a showcase for the
industry that attracts more than 50,000
visitors and loads of journalists and creates
a stage where distillers are treated like
rock stars.
Not long ago, those distillers saw their
product on a long, downward slide.
In the early 1970s, they produced more than a
million bourbon barrels annually. But
consumers' tastes shifted to vodka, gin and
wine.
"Whiskey and cigarettes was what our parents
did," said Chuck Cowdery, author of the book
Bourbon Straight: The Uncut and Unfiltered
Story of American Whiskey and publisher of a
bourbon newsletter. In the late 1960s and
early 1970s, he said, there was a rejection
of whatever was seen as part of the
establishment, and bourbon fell on that side
of the cultural schism.
By 1999, production had hit a low of 455,000
barrels, according to the Kentucky Distillers
Association.
But then came the bounce.
Already-strong sales in places such as Japan
and Australia grew stronger, and there was a
renewed interest on the domestic side. Sex
and the City was on HBO, and young people
with disposable incomes, who had already
discovered martinis, looked to branch out.
They discovered premium and limited-release
bourbons that were of higher standard than in
years before. Sales of higher-end bourbons,
originally pioneered by offerings such as
Maker's Mark and Buffalo Trace's Blanton's,
took off and remain strong today.
People are craving something authentic, and
bourbon can deliver, Cowdery said.
But the growth in bourbon sales is not just
in one category. Nearly all bourbons -- from
top shelf to bottom, as well as new ventures
such as rye -- are selling, said Ed O'Daniel,
president of the distillers' association.
For the first time in decades, barrel
production is expected to top a million by
the end of the year, he said.
Now, some distilleries are talking about how
to keep distributors happy during possible
shortages.
"The entire bourbon industry has turned
around since the mid-'90s," said Jim
Rutledge, master distiller at Four Roses.
"Momentum is still building now."
Rutledge should know about turning things
around. He began working at Four Roses years
ago when the brand made in Lawrenceburg was
owned by Seagram's. In the 1940s and 1950s,
Four Roses was the top-selling bourbon. Then,
the company pulled its marketing, changed the
recipe and more or less ruined the brand,
Rutledge said.
Sales remained strong in Europe and Japan.
But in the United States, "rotgut blended
whiskey" is what people thought of Four
Roses, Rutledge said.
After a sale to Japanese brewer Kirin in
2002, the handcuffs came off and Four Roses
launched a new formula. The new Four Roses
single-barrel won Whisky Magazine's "Best of
the Best" award in 2005 for whiskeys under 10
years and by the end of 2006 it was the
top-selling single-barrel bourbon in Kentucky.
This year, Four Roses entered the New York
and Chicago markets. It will be sold in
Tennessee in a few weeks.
"Everything we do is to counter the negative
image we had for so long under Seagram's,"
Rutledge said.
Other distilleries are doing their part to
change bourbon's image. Along the Bourbon
Trail, a concept launched a few years ago to
promote tourism, several of the seven
distilleries involved have expanded or plan
to transform their gift shops into "visitors
centers." In the year or so it has been
promoted, about 500,000 have visited some
portion of the trail.
Tucked off largely rural roads, the Kentucky
distilleries where more than 95 percent of
the world's bourbon is made didn't always
offer the visitor much. At best, it was a
tour and some chocolate bourbon balls at the end.
Now, visitors are showing up at places such
as Heaven Hill's Bourbon Heritage Center.
Opened nearly three years ago, the center
houses a museum telling the story of bourbon.
Walls are made of limestone, roofs are made
of copper and the floors white oak -- all
materials integral to making bourbon.
The center averages more than 50,000 visitors
annually and has welcomed people from 46
countries.
The centerpiece is a tasting room in the
shape of a barrel.
Inside the barrel, in a room with tasteful
paintings and lacquered bar made of white oak
and lumber recovered from a distillery fire,
visitors sit and sample two of Heaven Hill's
bourbons, Elijah Craig and Evan Williams
18-year-old. A host talks about flavor
profiles and encourages visitors to hold the
bourbon in their mouths to taste the
bourbon's finish. If it weren't for brown
liquor in the glasses, visitors might think
they were in Sonoma Valley.
And that's sort of the point, said Lynne M.
Grant, director of guest services. She
designed the tasting program, which required
seeking approval from the state and Nelson
County to serve liquor.
"It just makes perfect sense," Grant said.
"Why wouldn't you want to taste your own
product at your center?"
A native of Scotland, Grant came to the
United States in part because she saw huge
potential in the bourbon industry. It is only
recently that Kentuckians are discovering
that same potential, she said.
"They don't realize how great it is because
they've known about it all their life," she said.
That is the first challenge for people such
as Stacey Yates, the Louisville Convention
and Visitors Bureau's vice president for
marketing and communications. The native
Kentuckian didn't know until two years ago it
was possible to tour most of the distilleries.
Now, she's helping lead the charge
proclaiming that the Bourbon Trail will be
the "Napa Valley of the South."
To supplement a $300,000 Web and print
advertising campaign, 30-second TV spots will
run during the UK-U of L football game on
Saturday. Distillery bus tours departing from
downtown Louisville will begin soon, she said.
Samuels is confident the distilleries will
see more tourism and success, but the already
gregarious man becomes more excited when he
talks about Kentucky's national image that
has suffered at the hands of Jay Leno, among
others.
For people outside the state, "Bourbon is
beginning to define the state of Kentucky,"
he said. "Of all the contributions to the
state of Kentucky that bourbon will make,
over the long haul, it will be transformation
of image."

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Dear Friends,
In April of 2005, I told Tina I would like to
open up a Vodka factory. Tina did not say a
lot, she asked a few questions then went to
bed. The next day she came home from work
with a book about vodka and I realized she
approved.
Some of you started hearing about this
venture a long time ago. A few of you may
have wondered if this will ever happen.
Well, it is happening.
Fifteen months ago we made the commitment to
proceed with our little factory when I wired
money to Germany for our still and chose New
Richmond, WI as the location of our facility.
A lot of work over many months
occurred:
- Our distilling equipment was
handcrafted, assembled, disassembled, and
shipped here in one 40' and two 20'
containers for us to reassemble
- A new road was built taking us to the
site of our newly constructed steel building
- Months were spent with plumbers and
electricians putting the process together
(special thanks to Ted Schmelling)
- Six months of applications and anxious
moments securing federal and state permits
- A year of designing artwork that
satisfied our vision while working with the
constraints of the French made bottle
(special thanks to Allen Luke and Jeff
Timm)
- Four months of product development
(requiring much tasting) to create a Vodka
worthy of bottling (special thanks to my Dad,
Paul Sr's hard work and our many
tasters)
- Over a year of getting the word out and
finding the right distributors (special
thanks to Scott Davis)
This September 15th we will be introducing
45th Parallel Vodka to Minneapolis at the
Bryant-Lake Bowl Block Party, 5:00pm to
10:30pm. It will be the only vodka there.
We hope you will be able to join us at this
introductory event.
http://www.bryantlakebowl.com/
Cheers,
Paul & Tina Werni
45th Parallel Spirits,
LLC ==================

|
|
Bourbon is now appreciated. |
 |
Not long ago, distillers saw their product on
a long, downward slide.
In the early 1970s, they produced more than a
million bourbon barrels annually. But
consumers' tastes shifted to vodka, gin and
wine.
"Whiskey and cigarettes was what our parents
did," said Chuck Cowdery, author of the book
Bourbon Straight: The Uncut and Unfiltered
Story of American Whiskey and publisher of a
bourbon newsletter. In the late 1960s and
early 1970s, he said, there was a rejection
of whatever was seen as part of the
establishment, and bourbon fell on that side
of the cultural schism.
By 1999, production had hit a low of 455,000
barrels, according to the Kentucky Distillers
Association.
But then came the bounce.
Already-strong sales in places such as Japan
and Australia grew stronger, and there was a
renewed interest on the domestic side. Sex
and the City was on HBO, and young people
with disposable incomes, who had already
discovered martinis, looked to branch out.
They discovered premium and limited-release
bourbons that were of higher standard than in
years before. Sales of higher-end bourbons,
originally pioneered by offerings such as
Maker's Mark and Buffalo Trace's Blanton's,
took off and remain strong today.
People are craving something authentic, and
bourbon can deliver, Cowdery said.
But the growth in bourbon sales is not just
in one category. Nearly all bourbons -- from
top shelf to bottom, as well as new ventures
such as rye -- are selling, said Ed O'Daniel,
president of the distillers' association.
For the first time in decades, barrel
production is expected to top a million by
the end of the year, he said.
Now, some distilleries are talking about how
to keep distributors happy during possible
shortages.
"The entire bourbon industry has turned
around since the mid-'90s," said Jim
Rutledge, master distiller at Four Roses.
"Momentum is still building now."
Rutledge should know about turning things
around. He began working at Four Roses years
ago when the brand made in Lawrenceburg was
owned by Seagram's. In the 1940s and 1950s,
Four Roses was the top-selling bourbon. Then,
the company pulled its marketing, changed the
recipe and more or less ruined the brand,
Rutledge said.
Sales remained strong in Europe and Japan.
But in the United States, "rotgut blended
whiskey" is what people thought of Four
Roses, Rutledge said.
After a sale to Japanese brewer Kirin in
2002, the handcuffs came off and Four Roses
launched a new formula. The new Four Roses
single-barrel won Whisky Magazine's "Best of
the Best" award in 2005 for whiskeys under 10
years and by the end of 2006 it was the
top-selling single-barrel bourbon in
Kentucky.
This year, Four Roses entered the New York
and Chicago markets. It will be sold in
Tennessee in a few weeks.
"Everything we do is to counter the negative
image we had for so long under Seagram's,"
Rutledge said.
Other distilleries are doing their part to
change bourbon's image. Along the Bourbon
Trail, a concept launched a few years ago to
promote tourism, several of the seven
distilleries involved have expanded or plan
to transform their gift shops into "visitors
centers." In the year or so it has been
promoted, about 500,000 have visited some
portion of the trail.
Tucked off largely rural roads, the Kentucky
distilleries where more than 95 percent of
the world's bourbon is made didn't always
offer the visitor much. At best, it was a
tour and some chocolate bourbon balls at the
end.
Now, visitors are showing up at places such
as Heaven Hill's Bourbon Heritage Center.
Opened nearly three years ago, the center
houses a museum telling the story of bourbon.
Walls are made of limestone, roofs are made
of copper and the floors white oak -- all
materials integral to making bourbon.
The center averages more than 50,000 visitors
annually and has welcomed people from 46
countries.
The centerpiece is a tasting room in the
shape of a barrel.
Inside the barrel, in a room with tasteful
paintings and lacquered bar made of white oak
and lumber recovered from a distillery fire,
visitors sit and sample two of Heaven Hill's
bourbons, Elijah Craig and Evan Williams
18-year-old. A host talks about flavor
profiles and encourages visitors to hold the
bourbon in their mouths to taste the
bourbon's finish. If it weren't for brown
liquor in the glasses, visitors might think
they were in Sonoma Valley.
And that's sort of the point, said Lynne M.
Grant, director of guest services. She
designed the tasting program, which required
seeking approval from the state and Nelson
County to serve liquor.
"It just makes perfect sense," Grant said.
"Why wouldn't you want to taste your own
product at your center?"
A native of Scotland, Grant came to the
United States in part because she saw huge
potential in the bourbon industry. It is only
recently that Kentuckians are discovering
that same potential, she said.
"They don't realize how great it is because
they've known about it all their life," she
said.
That is the first challenge for people such
as Stacey Yates, the Louisville Convention
and Visitors Bureau's vice president for
marketing and communications. The native
Kentuckian didn't know until two years ago it
was possible to tour most of the
distilleries.
Now, she's helping lead the charge
proclaiming that the Bourbon Trail will be
the "Napa Valley of the South."
To supplement a $300,000 Web and print
advertising campaign, 30-second TV spots will
run during the UK-U of L football game on
Saturday. Distillery bus tours departing from
downtown Louisville will begin soon, she
said.
Samuels is confident the distilleries will
see more tourism and success, but the already
gregarious man becomes more excited when he
talks about Kentucky's national image that
has suffered at the hands of Jay Leno, among
others.
For people outside the state, "Bourbon is
beginning to define the state of Kentucky,"
he said. "Of all the contributions to the
state of Kentucky that bourbon will make,
over the long haul, it will be transformation
of
image." ======================

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Distillery, Barrles and Bottle FOR SALE |
 |
Business Opportunity:
Successful small distillery with 40K annual
gross revenues and 450 case per year sales.
Retail outlets in 100 out of 163 statewide
stores. Product sells retail in mid-range
for $12 for a 750ml 80 proof bottle. Eight
year operating history. Proven system of
production. Reliable supplies of component
parts. No company debt. Company owns
building where plant operates. Existing
plant capacity is 20K cases per year.
Favorable regulatory environment in state
permits on site retail bottle sales as well
as tasting on premises. Brand only requires
promotion and marketing only to increase
sales. All licenses current, 6 months of
inventory on hand. Current equipment capable
of 20K cases per year. Plant capacity
with additional equipment would be 50K to
100K cases per year. The company is located
in Morgantown, West Virginia, a vibrant
college town and home of West Virginia
University. The plant is located one mile
from interstate 79 with easy shipping and
receiving access. Seeking qualified buyer
to grow company and continue business.
Price: 750K.
See company website at
http://www.mountainmoonshine.com/
Contact principal;
West Virginia Distilling Co., LLC
Attn: Payton Fireman
1380 Fenwick Ave.
Morgantown, WV 26505
Phone: 304-599-0960 =====================
a&j whiskey barrels l.l.c. is now selling new
charred white oak
whiskey barrels.cost of these barrels is
210.00 plus shipping.call 513
253 8591 or email us at ajwhskybrls@gmail.com
anytime for orders and
shipping quotes.delivery also
availible. =====================
1 Liter round Liquor Bottles, 28 mm screw top
finish
packed necks down in plain Kraft brown boxes
12 per case. Originally purchased from
Saint Gobain.
Mold number 9935034. $7/case takes all 28 pallets
at 91 cases per pallet. Terms can be
arranged.
Call Mike at (505) 440 8666
====================

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Back issues |
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To read back issues of DISTILLER
newsletter? Go to:
http://distilling.com/backissues.html ====================
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TTB Permits |
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=================== --To obtain a
distilled spirits permit go to:
http://www.ttb.gov/spirits/index.shtml
===================
--To obtain TTB list of DSPs go to:
http://www.ttb.gov/foia//err.shtml
=====================
--To obtain TTB statistics on distilling go to:
www.ttb.gov then scroll down to "spirits" and
then the "year".
=====================
--To obtain Distilled Spirits Laws and
Regulations go to:
http://www.ttb.gov/spirits/spirits_regs.shtml
=====================
--To obtain label regulations go to:
http://www.ttb.gov/spirits/bam.shtml
distilled spirits manual circular.
=======================
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Join the American Distilling Institute |
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Membership dues are used to support
the American
Distilling Institute's efforts to educate and
inform
the public about craft distilling.
Benefits of
membership are: a discount to attend the
April 2007
conference, the DISTILLER newsletters, the
web site
password and the Annual Distiller's Resource
Directory.
American Distiller Membership, 2007 is
$250
Pay by check our use
PayPal to join the Institute. ==========
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