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American Distiller #114
Craft-Distilled Whiskey Metals )
  • Artisanal Producers / Why Rum is Gone / Spirits and Cocktails
  • Pot Still for Sale / Consultant Avaibable / Distiller Wanted / Distillers looking for job / Wash Available
  • Fresh Whiskey Barrels.
  • TTB Alcohol Manual / Back issues
  • The DSP Distillery Link / How to get a DSP Permit
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    PENN JENSEN
    ADI
    penn@distilling.com
    (650) 400-9812

    FIRST U.S. CRAFT-DISTILLED WHISKEY MEDALS AWARDED
    May 27, 2008

    At its 5th Annual Conference held in Louisville in April, the American Distilling Institute conducted the first-ever medal competition for craft-distilled spirits in the U.S. The theme of the 2008 conference was "whiskey." The competition delivered 19 medals across 8 categories, from Blended Canadian Whiskey to Small-Batch Rye Whiskey.
    Best of Show was awarded to Stranahan's Colorado Whiskey.
    (See photo above)
    The presiding judge was renowned whiskey critic Jim Murray whose 4-point scoring system was used to evaluate the entries. Judging supervisors were Luis Ayala of Rum Runner Press and Ted Huber owner of Starlight Distillery. Judges were Charles Cowdery, Gary Spedding and Bridget Albert.

    Judging Results

    1. Blended Canadian Whiskey
    No Gold
    Silver, best in class, Score -85.5: 40 Creek (40 Creek Distilling) http://www.fortycreekwhisky.com/splash/
    Silver: Score-80: Snake River Stampede (Indio Spirits)

    2. Unpeated Single Malt
    Gold, best in class, Best in Show, Score-91.5: Stranahan's Colorado Whiskey http://www.stranahans.com/
    Gold, Score-90.5: Hogshead Single Malt (McMenamin's Edgefield Distillery) http://www.mcmenamins.com/
    Silver, Score-87: Zeppelin (New Holland Distillery) http://www.newhollandbrewing.com
    Silver, Score-85: St. George (St. George Spirits) http://www.stgeorgespirits.com
    Bronze, Score-72: Wasmund's (Copper Fox Distillery) http://www.copperfox.biz/

    3. Peated Single Malt
    Gold, Score-90.25: McCarthy's Single Malt (Clear Creek Distillery) http://www.clearcreekdistillery.com/
    Silver, Score-88.5: Peregrine Rock (Saint James Spirits) http://www.saintjamesspirits.com/
    Silver, Score-85.25: Woodstone Creek (Woodstone Creek Distillery) http://www.woodstonecreek.com

    4. Wheat Whiskey Gold, Score-90.5: Bernheim Original Kentucky Straight Wheat Whiskey (Heaven Hill) http://www.heaven-hill.com/brands-otherwhiskey.html

    5. Small Batch Bourbon
    No gold
    No silver
    Best in class, Score-79.75: High Plains Most Wanted http://www.highplainsinc.com/

    6. Kentucky Bourbon
    Gold, best in class, Score-93.5: Prichard's Double Barrel Bourbon http://www.prichardsdistillery.com/
    Gold standard, Score-90.5: Buffalo Trace Bourbon http://www.buffalotrace.com/
    Gold standard, Score-90: Maker's Mark Bourbon http://www.makersmark.com
    Silver, Score-85.5: Elijah Craig 12 yr Bourbon (Heaven Hill) http://www.heaven-hill.com/brands-bourbon.html

    7. Corn Whiskey
    Gold, Score-90.25: Mellow Corn (Heaven Hill) http://www.heaven-hill.com/brands-otherwhiskey.html

    8. Small Batch Rye Whiskey
    Gold, Score-91: Devil's Bit Rye (McMenamin's Edgefield Distillery) http://www.mcmenamins.com/
    No silver
    Bronze, Score-79.5: Hudson's Rye (Tuthilltown Spirits) http://www.tuthilltown.com/

    In April 2009, the 6th Annual ADI Conference will heat up the craft-spirits competition once again with awards presented in the categories of Brandies and Eaux de Vie at St. George's Distillery at Hangar One in Alameda, California.
    For more information about the competition and the American Distilling Institute, please go to our website www.distilling.com.

    Caption: Co-Supervising Judge, Luis Ayala, awards Gold Medal for Best in Class and Best in Show to Jess Graber of Stranahan's Colorado Whiskey. Hoisting the hefty medal is Stranahan's assistant distiller Jake Norris.
    ==================
    Judging Competition Overview By Luis Ayala, Co-Supervisor
    Spirits competitions throughout the world attempt to pinpoint the "best" products in each class. Much effort goes into this selection process and the results affect all contestants in different ways. Our competitive spirit is such that it often blinds us and prevents us from seeing a subtle reality before our eyes: each and every product entered into a competition is already a winner! Craft distillers spend countless amounts of time (and money they don't always have) following their dream, expressing their creativity through their products.
    Owning and operating a distillery, bottling and entering a product into a competition, are outstanding achievements whose virtue should not be clouded by the presence or absence of a medal. ADI's Whiskey competition is like a beauty pageant: just because on a particular night the judges favored one contestant over the other does not mean that the "losers" are devoid of beauty!
    I am very happy to have seen the number of entries in this year's event; it speaks of a very healthy industry and of very happy craft distillers. Keep up the good work!
    Luis Ayala
    http://www.rumshop.net

    How Each Whiskey Was Judged and Scored-The Jim Murray Method

    Each whisky was given a rating out of 100. Twenty-five marks were available to be given in four categories:
    nose (n),
    aste (t),
    finish (f),
    balance
    and overall complexity (b).
    The area of balance and complexity covers all three previous factors and a usually hidden one besides.
    Nose: this is simply the aroma. Often requires more than one inspection as hidden aromas can sometimes reveal themselves after time in the glass and increased contact with air. The nose very often tells much about a whisky, but equally can be quite misleading.
    Taste: this is the immediate arrival on the palate and involves the flavour profile up to, and including, the time it reaches maximum intensity and complexity.
    Finish: often the least understood part of a tasting. This is the tail and flourish of the whisky's signature, often revealing the effects of ageing. The better whiskies tend to finish well and longer without too much oak excess.
    Balance: this is the part it takes a little experience to appreciate but it can be mastered by anyone. For a whisky to work well on the nose and palate, it should not be too one-sided in its character. If you are looking for an older whisky, it should have evidence of oak, but not so much that all other flavours and aromas are drowned out. Likewise, a whisky mature or finished in a sherry butt must offer a lot more than just wine alone and the greatest Islay malts, for instance, revel in depth and complexity beyond the smoky effects of peat.
    Aviso: Even if you and I taste the same whiskies at the same temperature and from identical glasses - and even share the same values in whisky - our scores may still be different. Because a factor that is built into my evaluation is drawn from expectation and experience. When I sample a whisky from a certain distillery at such-and-such an age or from this type of barrel or that, I would expect it to offer me certain qualities. It has taken me 30 years to acquire this knowledge (which I try to add to day-by-day!) and an enthusiast cannot be expected to learn overnight.

    Excerpted from Jim Murray's Whiskey Bible-2008

    ABOUT ADI
    The American Distilling Institute was founded in 2001 by Bill Owens with the goal of creating a collective voice for the new generation of progressive beverage, medical, and aromatic distillers. It is dedicated to the mission of disseminating professional information on the distilling process.
    ====================


    Artisanal Producers / Why Rum is Gone / Spirits and Cocktails

    Artisanal producers aim to create a spirited new Vancouver Island has become Spirits Central, with Winchester and Rick Pipes of Merridale Estate Cidery already bottling eau de vie and gin, and several other products, such as the much-anticipated Shelter Point whisky, still in the works.
    Provincewide, the pioneer of the pack is Frank Deiter of Okanagan Spirits in Vernon. He produces a wide range of the fresh fruit brandy known as eau de vie, as well as an aged apple brandy he calls "Canados" (Calvados being a proprietary name in Normandy) and Taboo, the only authentic absinthe in Canada.
    Only a few months after he received his distillery licence in October 2004, he won the "Best Newcomer" title at the World Spirits Awards in Austria. This year, he was awarded Master Class status, the top prize at the event, and took home six gold and three silver medals as well.
    "To be recognized in the same bracket with some of the best distillers in Europe is just fantastic for Okanagan Spirits, fantastic for the Okanagan region and fantastic for the province," Deiter says.
    "I'm just happy that I love what I'm doing," he adds. He will tell you, though, that the process was anything but easy. That's why he, Winchester, Pipes and Phillips formed the B.C. Artisan Distillers Guild so, Pipes says, "the government knows who to talk to about artisan distilling."
    Artisanal distilling is not a new thing. It is a natural extension of making cider, beer and wine, a way to make the most of everything a farm or orchard grows. "This is really old science," Pipes says. "All of the European vintners have been distilling for hundreds of years. And in North America, we've just started." The difficulty is that our laws and bureaucracy are still haunted by the ghosts of Prohibition, which has ensured that liquor is highly regulated and, at least as far as the government is concerned, highly lucrative. Even now, distilling licences are designed for big operations, not small craftsmen.
    "About three years ago, there was a combination of changes in the provincial laws and changes in the federal laws that made it possible to do it on a small scale," Pipes says. "I'm not saying it's profitable, but it's possible."
    Distilling is a relatively simple process. It starts with an initial fermentation that transforms natural sugars to a low-strength alcoholic solution such as beer, cider or wine.
    That solution is placed in a still, where it is heated until it releases vapour. The vapour is then cooled, which turns it back into liquid, only a much stronger, more flavourful and highly alcoholic liquid.
    That liquid is collected and allowed to rest before bottling. If it is a clear spirit, such as gin, vodka or eau de vie, it is bottled right away. If it is a brown spirit, such as a calvados-style brandy or whisky, it is aged in oak casks.
    It may be a simple process, but it isn't necessarily easy. For one thing, artisanal distillers use something called a pot still, a crazy piece of equipment that looks like it was concocted in the laboratory of Dr. Seuss' mind. (Commercial distillers use a continuous still, which is a very different type of machinery.)
    Pot stills, needless to say, are not readily available in North America. While Phillips made his from his own design, Deiter, Pipes and Winchester imported handcrafted, wood-fired copper stills from Germany at a cost of about $70,000 each.
    During the run itself, the process must be carefully monitored to keep the fire fed and the temperature consistent. And the spirit must be tested throughout the run, and not just to ensure it tastes good.
    There are three stages in alcohol distillation - first the heads (which contain methanol and acetate), then the hearts (ethanol) and finally the tails (fusel alcohols). Only the hearts are actually drinkable; the rest is discarded.
    But making the spirits is the easy part, especially when compared to the bureaucracy distillers have to deal with. "It was a nightmare to get licensed. And it's a nightmare to get distributed," says Winchester. "Spirits are a whole different thing than wine."
    There are the Byzantine rules for everything from where spirits can be made (in a separate, enclosed space) to how they can be sold (only at a licensed Liquor Distribution Branch agency), how often the facilities must be inspected (twice a year, randomly) and whether distillers can charge for tastings (in a word, no).
    The insult-to-injury part of it all is that even though artisanal spirits are a completely agricultural product, they are taxed at a significantly higher rate than, say, wine.
    "The LDB makes a whack of money out of booze," says Pipes, who notes that if he retails his eau de vie for $42, he'll only net $14.70. "The rest is all LDB markup. Markup and taxes and excise together come to about 176 per cent."
    It's especially frustrating, Deiter says, because fruit spirits are so much more expensive to produce than either wine or grain spirits.
    "Your yield is less, your cost is higher, and now the provincial government comes and adds a percentage gain on top of that," he says. "We could do a whole lot more if we had a similar deal to the wineries.
    "The wine industry did have the same challenge. Political changes were needed to make it an industry. And you only have to look around to see what it has become."
    British Columbia's artisanal distillers can't compete with the big multi-nationals in terms of price, production or marketing, but Deiter insists, "Quality is where we can stand out.
    "The opportunity for the growing number of B.C. distillers, the beleaguered B.C. fruit farmers and B.C. agro-tourism is huge, but we need fundamental changes to be made to our licence and be given an opportunity to distribute our products like the B.C. wineries."
    If those changes are made, one day we could see as many as 20 or 30 artisanal distillers in Okanagan and Fraser Valley.
    But on this particular day, it's all about one distiller, and one product, and back at the Bengal Lounge, the guessing game continues.
    "Is it marshmallow root?"
    "How about sassafras?
    Ken Winchester just smiles mysteriously, and pours another shot of B.C. spirit.
    ====================

    By Jessica Braley
    GateHouse News Service
    Newport, R.I.

    There's one thing and one thing alone thirsty pirates and treasure hunters prefer more than anything else, and that's rum.
    Distilled in Middletown, R.I. by the Newport Distilling Co. and named after Rhode Island's most notorious pirate, Thomas Tew Rum is a solid local alternative to many of the more commonly known rums.
    A dark amber, single barrel rum, Thomas Tew Rum attempts to recreate the rum of 250 years ago, using the same blackstrap molasses and techniques of the time period.
    For more information on Thomas Tew Rum visit the Web site at
    www.newportstorm.com/thomastewrums.asp
    or call 401-849-5232.
    Pour Judgement, 32 Broadway, Newport, is just one of several establishments in Rhode Island that serves Thomas Tew Rum.
    Newport Pirate
    2.5 oz. Thomas Tew Rum
    1 oz. triple sec
    splash of pinapple juice
    garnish with a pineapple wedge or a slice of lime
    Thomas Tew
    and cola
    5 oz. of your favorite cola
    2 oz. Thomas Tew Rum
    Don't worry, if you can't find Thomas Tew Rum at your local bar or liquor store, try substituting Pyrate rum or even Captain Morgan's Spiced Rum in any of these recipes from www.newportstorm.com.
    =================

    Spirits & Cocktails: Good reads on the rocks

    There's more to drinks than drinking, judging by the current crop of cocktail books. They're a study in culture, history, literature and style. Sure, there are recipes, but these books teach you more than how to mix a drink.
    With that, I'll start with what will surely become one of the most influential: Imbibe! From Absinthe Cocktail to Whiskey Smash, a Salute in Stories and Drinks to "Professor"
    Jerry Thomas, Pioneer of the American Bar, by David Wondrich (Perigee, 2007).

    Thomas was the 19th century's most famous bartender, and Wondrich gleefully recounts his exploits, using period publications, census records and other sources to sift fact from fiction.
    Why should we care about Thomas?
    Because his artistry continues to inspire modern mixologists. Thomas published the world's first bartending guide in 1862. More than a century later, How to Mix Drinksor The Bon Vivant's Companion remains a roadmap for pros striving to re-create the classic bar.
    But Thomas assumes the reader is completely familiar with common ingredients and techniques of the day. Most of us aren't, and that's where Wondrich comes in. He's painstakingly researched the evolution of the cocktail, its precursors and its components.
    He interprets Thomas' recipes, providing exact measurements, substitutions for defunct spirits and recipes for bygone syrups and bitters and so on. His easy prose makes it a fascinating answer to the singular question: What would Jerry Thomas do?

    Drinking well
    Eric Felten poses another worthy question with How's Your Drink? Cocktails, Culture and the Art of Drinking Well (Agate Surrey, 2007). For Felten, drinks prove a counterpoint to history, as when the gin and tonic became the punch line of the 1961 summit between John F. Kennedy and then-British Prime Minister Harold Macmillan.
    Cocktails are literary, rising and falling in step with the characters of Kingsley Amis and John Updike. They're social commentary, denoting class and style, and history, revealing who drank what where and when.
    Don't be fooled by the slimness of Felten's book. It's dense with well-researched anecdotes, details and recipes, much like his weekly column of the same name in TheWall Street Journal. It's not a quick read, but rather something to sip slowly over time.

    Moonshine
    One book you can down like a shot is Moonshine! (Lark Books, 2007), by Kansas City native Matthew B. Rowley. It's an entertaining account of American distilling, peppered with history, quotations, slang, illustrations and exhortations to always comply with the law.
    The real meat, though, is Rowley's distilling primer. He explains each component, from sugar to grain to yeast, and then provides step-by-step, illustrated instructions for building and operating a still and recipes for whiskeys, rum, brandy and other tipples.

    Classics
    Rowley clearly enjoys thinking about spirits as much as he does imbibing them, as does Mark Kingwell, author of Classic Cocktails: A Modern Shake (Thomas Dunne Books, 2007). Kingwell explores his personal classics, referencing writers from Plato to Walt Whitman to Raymond Chandler, as well as films and music. What "recipes" there are come in conversational tone, and opinions are rife (no bourbon in Manhattans, please). If you need a fresh dose of cocktail conversation fodder, this book is for you.

    Whiskey
    Looking for something more straightforward? Two books on whiskey provide just the facts in familiar formats. The first is Whiskey & Spirits for Dummies (Wiley, 2008) by Perry Luntz, which offers a basic overview of whiskey, gin, vodka, tequila and other standards and a handful of cocktail and bar snack recipes. The last chapter is something you almost never see in a spirits book: nutrition and health information.
    Anne Brockhoff writes from her farmhouse outside Kansas City. To reach her, send e-mail to
    food-drink-life@hotmail.com.
    ==================

    Pot Still for Sale / Consultant Avaibable / Distiller Wanted / Distillers looking for job / Wash Available















    Fully reconditioned, 240 gallon pot still. Ideal still for whiskey or rum. I will offer limited consulting services. Price $70,000 or highest bid call
    Bill Owens
    510-886-7418











    ADI's hands-on, five day course on How to Distill Whiskey now has a new date: December 1st - 6th. The course will be held at Sweetwater Distillery in Petaluma, CA. Students will actually distill whiskey as part of the learning experience. Cost will be $3000 for five days. For more information, contact Bill Owens: mailto:bill@distilling.com

    ====================

    Consultant Available
    Services include research, business planning, product formulation, plant design, product evaluation, et al backed by 16 years of experience. I can take you from idea to finished product with any level of service you require.
    Keith K. Bodine
    Consultant Distiller and Winemaker
    347 Carroll Rd
    Union ME 04862
    207-785-3024
    www.sweetgrasswinery.com
    =================
    Are you interested in getting in on the ground floor of a brand new microdistillery?
    We are a farm distillery located on an apple orchard in upstate NY, less than half an hour from Albany. We currently distill one brand of vodka, but are looking to add several other spirits within the next year or so. We would like to hire someone who will be able to take over much of the distillation process and assist in our tasting room. We are looking for someone organized, eager and willing to learn and grow with us. No distilling experience is required. Please forward a letter of interest and your resume to
    harvestspirits@gmail.com.
    =================
    Dear Mr. Owens
    My name is Jeremiah Timm; I am interested in being an apprentice for a master distiller who is produces Rums Brandies Whiskeys, or Eau de Vies. I have had some experiences in the lab distilling wine to make extracts for analysis; to make up for this I have done research to understand the distilling process better. If you know of any one please let me know. I will be available after November, since I am working a crush at Koasta Brown in Sonoma this fall.
    Jeremiah Timm
    jeremiah_timm@yahoo.com
    ===================

    Graduate ADI Membership
    I'm a graduate with honours from the International Centre for Brewing Distilling and Malting at Heriot Watt University Edinburgh Scotland with experience from industry having worked with amongst others Glenfiddich, Balvenie. I'm Keen to gain further knowledge in Brewery, Distillery or related business. All offers considered.
    Matthewpauley@hotmail.co.uk
    ===================br>Hello Bill
    Hope you have been well - we are looking for a talented distillery consultant who can help us train our new distiller on washes, pot still use, cuts, etc - do you have a couple names you could recommend - also I am interested in using the photo of yours that hangs in my office in a dogfish ad - it's the one of a naked hippy walking in a concert crowd - an off-centered person for sure! - it would run in the beer mags and we can pay $200 for a high res version emailed to us - lemme know what you think - keep on truckin!!! Thanks for the help
    sam@dogfish.com
    ====================

    Distiller Wanted
    30 year-old company in the beautiful Pacific Northwest seeking experienced distiller to establish a high-end whiskey distillery. Distiller must have experience and knowledge of the entire production process. Vodka and gin to be distilled, however, whiskey is the primary long-term goal. Responsibilities include selecting and ordering all ingredients and equipment, overseeing the preparation of the facility and producing the spirits. Applicant must possess a strong work ethic and be very detail oriented. Salary DOE / excellent benefits. Non-smoking environment. Contact
    Jon Combs, PO Box 8000, Spokane, WA 99203.
    (509) 534-9000.
    jcombs@oldworldchristmas.com
    ==================

    Hello Bill.
    My name is John Paul Mereen.
    A friend and I are looking into opening a small batch distillery in Connecticut.
    We have been in contact with the folks in Idaho (DRinc.) for the raw product and hope to refine it into vodka and gin. Heidi thought you may be getting into some sort of consulting if an effort to help people like us move forward.
    What I think we need at this point is a business plan for this sort endeavor.
    Are there any temples for this available that you may be aware of? Or is this a service you can help us with? Any help or guidance you may be able to provide would be greatly appreciated.
    I hope to hear from you soon.
    Sincerly, J.P. Mereen
    home jpmereen@comcast.net
    ===================

    Wrestling with the decision to invest in wash production and fermentation equipment?
    Want to reduce the space required to launch or expand your distillery's capacity? We can offer a solution that avoids the substantial investment required to produce washes in house or to expand your present capacity. We can provide custom washes for virtually any need, pre-fermented and ready to charge your still.
    Our washes also provide a major benefit allowing more yield per still charge since there will be virtually no solids to take up fill volumn a reduction of 30% in most cases.
    Minimum volumes as low as 930 gallons. Shipping via totes or tanker FOB California.
    Give us a call or e-mail us to discuss your needs.
    eric@ststans.com or 209.606.2337
    ===================

    Fresh Whiskey Barrels.

    A&J Whiskey Barrels l.l.c. selling freshly dumped Whiskey Barrels for production.Call office:513 -678- 9370 Cell:513-253-8591 anytime.
    Website is ajwhiskeybarrels.net Committed to providing quality barrels for distilleries and breweries.
    ===============

    TTB Alcohol Manual / Back issues

    To print the Beverag Alcohol Manual: click (Manual)
    ====================== Go to:
    http://distilling.com/backissues.html
    ====================

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    The DSP Distillery Link / How to get a DSP Permit


    The link to DSP permits is: http://ttb.gov/foia/fri.shtml
    Over 300 DSP licenses with 127 being craft distilleries. The rest are industrial distilleries and importers. Check their websites to see if they really distill.
    =====================

    ===================
    --To obtain a distilled spirits permit go to:
    ">http://www.ttb.gov/spirits/index.shtml

    ===================
    --To obtain TTB list of DSPs go to: http://www.ttb.gov/foia//err.shtml

    =====================
    --To obtain TTB statistics on distilling go to: www.ttb.gov then scroll down to "spirits" and then the "year".
    =====================
    --To obtain Distilled Spirits Laws and Regulations go to: http://www.ttb.gov/spirits/spirits_regs.shtml

    =====================
    --To obtain label regulations go to: http://www.ttb.gov/spirits/bam.shtml distilled spirits manual circular.
    =======================


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